Einsicht in den Literaturbestand
Kunststudierende und Kunstinteressierte können die nebenstehende Literatur bei uns nach Vereinbarung eines Termins einsehen.
Empfehlenswert ist auch die Suche der Literatur im KVK (Karlsruher Virtueller Katalog), in dem Sie alle deutsche und viele internationale wissenschaftliche Bibliotheken durchsuchen und die Publikation ggf. bestellen können.
Eine Liste weiterer Literatur über australischer Kunst (die sich noch nicht im Bestand aboriginal-art.de befindet) wird ständig aktualisiert.
Zeitschriftenartikel
in unserem Bestand
Allas, Tess: Why is Aboriginal Art Important to Modern Australia?, in Arc at UNSW, Vol. 8 (2) 2010 |
Anderson, Chris: Was god ever a 'boss' at Wujal Wujal? Lutherans and Kuku-Yalanji: A socio-historical analysis, The Australian Journal of Anthropology 21, 2010, S. 33-50 |
Annas, Marianna: Art, Originality and Authenticity, in: Periphery 33, 1997, S. 6-8, ISSN1034-0580 |
Art in action: The Sea of Hands, in: Australian Art Collector 13, 2000, S. 116 |
Austin-Brees, Diane: Translating Christianity: Some keywords, events and sites in Western Arrernte conversion, The Australian Journal of Anthropology 21, 2010, S. 14-32 |
Bähr, Elisabeth: "Political Iconography in Indigenous Art", Zeitschrift für Australienstudien 27, 2013, S. 49-66, ISSN 1617-9900. (http://www.australienstudien.org/index.php/de/journal/archiv-previous-issues?id=42) |
Bähr, Elisabeth: Starke Frauen, starke Kunst, in: Frauensolidarität 2, 2002, Wien, S. 14-15 |
Behrendt, Larissa: Ricky Maynard - Portrait of a Distant Land, Art Monthly Australia, 222 1999, S.12-14 |
Beier Ulli: Papunya Tula Art: The End of Assimilation. In: Long Water. Aboriginal Art and Literature, Aspect 34, S. 32-37, August 1986, ISSN 0159-3358 |
Bevan, A.W.R. und Bindon, P.: Australian Aborigines and meteorites, Records of the Western Australian Museum 18, 1996, S.93-101 |
Biddle, Jennifer: Art under Intervention: the radical ordinary of June Walkutjukurr Richards, Art Monthly 227, 2010, S. 35-36 |
Butler, Rex: 'Lines'. Leading out of Sight?, in: Australian Art Collector 13, 2000, S.86f |
Butler, Sally: Arnhem Land Barks - Shape of Things to Come, in: Australian Art Collector 14, 2000, S. 102-105 |
Butler, Sally: Michael Nelson Tjakamarra - Unmasked, in: Australian Art Collector 13, 2000, S. 88-90 |
Butler, Sally: Start Now! A Guide to the Aboriginal Art Market, in: Australian Art Collector 13, 2000, S. 66-75 |
Carroll, Linda: Fiona Foley - No Shades of White, 2005, www.niagara-galleries.com.au/artists/artistpages/theartists/fiona_foley/documents/NoShadesEssay.pdf |
Carty, John: Purnu, Tjanpi, Canvas - Art History in the Ngaanyatjarra Lands, Art Monthly 256, 2013, S. 64-68 |
Carver, Antonia: Naturally cultured / culturally natured. Recent dialogue between Aboriginal art and the environment, in: Periphery 26, 1996, S. 10-13 |
Clarke, Philip A.: The Aboriginal Cosmic Landscape of Southem South Australia, Records of the South Australian Museum 29 (2), 1997, S. 125-145 |
Clark, Ian D.: The Convincing Ground - Aboriginal massacre at Portland Bay, Victoria: fact or fiction?, Aboriginal History 35, 2011, S.79-109 |
Cochrane, Susan: Yiribana (this way) - a new direction for the Art Gallery of NSW, in: Art Montly Australia 79, 1995, S. 7-9 |
Copeland, Julie: The land and the market: Aboriginal art in NT, in: Art Montly Australia 83, 1995, S. 4-9 |
Cowlishaw, Gillian: Mythologising culture: Part 1: Desiring Aboriginality in the suburbs, The Australian Journal of Anthropology 21, 2010, S. 208-227 |
Creighton, Chad: Guirr Guirr: The contemporary continuum, in: Art + Australia 50 (3) 2013, S. 426-433 |
Creighton, Chad: Gurirr Gurirr: The contemporary continuum, in: Art & Australia 50 (3) 2013, S. 427-433 |
Croft, Brenda: "Blak Lik Mi", Art and Australia 31 (1), S. 63-67, 1993 |
Crone, Bridget: Shaun Dennison - Works in Progress, in: Australian Art Collector 13, 2000, S. 94-96 |
Davidson, Christina: Indigenous Art of the Kimberley - Warmun Arts: The Unfolding Stories, in: Artlink 26 (3), 2006 |
Denholm, Michael: The Artist as Detective. The Art of Julie Gaugh, in: Periphery 33, 1997, S. 23-25, ISSN1034-0580 |
Dewar, Mickey: "The love song of Alfred J Dyer: early days of Church Mission Society missions to the Aborigines of Arnhem Land", Humanities Research (Bigotry and Religion in Australia, 1865-1950) Vol XII, No 1, 2005, S. 27-40 |
Dewar, Mickey: You in Your Small Corner, in: Humanities Research, Vol. XII, No 1, 2005, S.27-40 |
Dussart, Francoise: Shown but not Shared, Presented but not Proffered: Redefining Ritual Identity among Warlpiri Ritual Performers, 1990-2000, in: The Australian Journal of Anthropology 15 (3), 2004, S. 253-256 |
Eather, Michael: Michael Nelson Jagamara & Camprife Group, Brisbane 2000 |
Eccles, Jeremy: Gunybi Ganambarr – Yolngu lightning, Art Monthly 256, 2013, S. 12-13 |
Eccles, Jeremy: Hector Jandany, in: Art & Australia 44 (3), Autumn 2007, S. 356 |
Ellyard, Heather: Big Yam Dreaming, in: Art & Australia 36 (4), 1999, S. 490f |
Finnane, Kieran: 'Their share of the struggle': innovation & experimentation in desert arts, in: Art Monthly Australia, 260, June 2013, S. 23-25 |
Foley, Fiona: I Speak To Cover The Mouth of Silence, Art Monthly 250, June 2012, S. 55-57 |
Foley, Fiona: On the Power & Beauty of Political Art, in: Art Monthly Australia 211, May 2008, S. 22-24 |
Foley, Fiona: When The Circus Came To Town, in: Art Monthly Australia 245, Nov 2011, S. 5-7 |
Geczy, Adam: Outsider/Insider: The Art of Gordon Bennett, in: Art Monthly Australia 260, June 2013, S. 26-28 |
Geczy, Adam: The Airconditioned Desert - Curating Aboriginal Art, Art Monthly 250, June 2012, S.44-46 |
Gigler, Elisabeth: Indigenous Australian Art Photography: an Intercultural Approach, in: Zeitschrift für Australienstudien, 21-22, 2007/2008, S. 57-64, ISSN 1617-990 |
Gnocchio, Benjamin: Shifting Sands - The Art of Fiona Foley, in: Eyeline Contemporary Visual Arts 41, Summer 1999, S. 18-23 |
Green, Jenny: Emily Kame Kngwarrray. An accidental modernst?, in: Artlink 20 (1), 2000, S. 17-19 |
Grishin, Sasha: Finding Water, Finding Life - Travels throuth the sand dunes and soak holes of Helicopter Tjungurrayi's sweeping canvasas, in: Art Collector 61, July-Sept 2012, S.130-135 |
Grishin, Sasha: Ikuntji Art Centre. Haasts Bluff, in: Art Collector 46, 2008, S. 204-205, ISSN 1328-9586 |
Hampson, Jane: Doreen Reid Nakamarra. Shimmering Lands, in: Art Collector 46, 2008, S. 148-153, ISSN 1328-9586 |
Hinkson, Melinda: New Media Projects at Yuendumu: inter-cultural engagement and self-determination in an era of accelerated globalization, in: Journal of Media and Cultural Studies, 16 (2), 2002, S. 201-220, ISSN 1030-4312, DOI 10.1080/1030431022013876 9 |
Hinkson, Melinda: What's in a dedication? On being a Warlpiri DJ, The Australian Journal of Anthropology15 (2), 2004, S.143-162, ISSN 1035-8811 |
Hoffie, Pat: Fiona Foley. Knowing where to look, in: Artlink 21 (4), S. 60-65 |
Ingram, Terry: Full Circle. Aboriginal Art turns market corner, in: Australian Art Collector 13, 2000, S. 82-83 |
Isaacs, Jennifer: Ngaraka-shrine for the lost Koori, in: Art Monthly Australia 135, 2000, S. 25f |
James, Bruce: Julie Dowling: Unflinching Portraiture, in: Australian Art Collector 14, 2000, S. 128 |
Johnson, Vivien: Is there a gender issue in Aboriginal art? in: Art and Australia 32 (3), 1995, S. 350-357 |
Jorgensen, Darren: Bagging Aboriginal Art, in: arena 111, 2011, 38-42, ISSN 1039-1010 |
Jorgensen, Darren: On Cross-Cultural Interpretations of Aboriginal Art, Journal of Intercultural Studies 29 (4), 2008, S. 413-426 |
Jorgenson, Darren: Deep Time: Nuclear Monuments & Aboriginal Art, in: Artlink 29 (1), 2009, S. 40-42, ISSN 0727-1239 |
Kavanagh, John: The Long Boom. But How Long Can it Last?, in: Australian Art Collector 4, 2000, S. 56-58 |
Kean, John: Aboriginal artists in New York, in: Art & Australia 26 (4), 1989, S. 571-574 |
Keary, Anne: "Christianity, colonialism, and cross-cultural translation: Lancelot Threlkeld, Biraban and the Awakabal", Aboriginal History 33, 2009, S.117-155, ISSN 0314-8769 |
Kelada, Odette and Clark, Madeleine: Bodies on the Line. Repossession and 'Talkin' up' in Aboriginal women's art, in: Artlink 33 (3) 2013, 37-41 |
King, Victoria: Utopia now. A journey to Emily's country, in: Art & Australia 37 (4), 2000, S. 524f |
Kleinert, Sylvia: "Aboriginal enterprises - negotiating an urban aboriginality", Aboriginal History 34, 2010, S.171-196, ISSN 0314-8769 |
Kleinert, Sylvia: Crash Sites, Artlink 25 (2) 2005, S. 30-35 |
Koop, Stuart: Fiona Foley. Bare Bones, in: Art Asia Pacific, 1997, S. 38-44 |
Kozeluh, Narayan: Custodians of the Land, in: Craft Arts International, 53, 2003, S. 46ff, ISSN 1038-846X |
Lane, Marcus B., Ross, Helen, Dale, A.P. und Rickson, Roy E.: Sacred land, mineral wealth, and biodiversity at Coronation Hill, Northern Australia: indigenous knowledge and SIA, in: Impact Assessment and Project Appraisal 21 (2), 2003, S. 89ff |
Langton, Marcia: The valley of the dolls: Black humuor in the art of Destiny Deacon, in: Art and Australia 35 (1), 1997, S. 100-107 |
Martin-Chew, Louise: Darby Jampijinpa Ross - Make it good for the people, in: Art Monthly Australia 216, Summer Issue, December 2008 to February 2009, S. 5-8 |
Massola, Cate: Jarragbu-nungu Warrambany. Flood in Warmun, in: Artlink 32 (4) 2012, S. 21-22 |
McCulloch-Uehlin, Susan: Ten of the Best. Where to begin collecting Aboriginal art, in: Australian Art Collector 13, 2000, S. 78-80 |
McDonald, Heather: Universalising the particular? God and Indigenous spirit beings in East Kimberley, The Australian Journal of Anthropology 21, 2010, S. 51-70 |
McLean, Bruce: Sally Gabori's mind-mapped landscapes, in: Art + Australia 49 (3) 2012, S. 478-485 |
McLean, Ian: 9 shots 5 stories - Imants Tillers and Indigenous difference, Art Monthly Australia 228, 2010, S.13-16 |
McLean, Ian: Dreamtime, in: Artlink 29 (1), 2009, S. 16-19, ISSN 0727-1239 |
McLean, Ian: Home and away: H2O at the Lawrence Wilson Gallery, in: Art Monthly Australia 128, 2000, S. 13ff |
McLean, Ian: The Aura of Origin: Ghouls and Golems in Gordon Bennett's Art, in: Artlink 21 (4), 2001, S. 24-29 |
McLean, Sandra: Archive mnied for brutal history, Courier Mail (Arts Section), 15 August 2001 |
McPhee, John: Sally Gabori - Feeling the Landscape, Art Monthly 249, May 2012, S. 5-9 |
McQueen, Humphrey: Art can reveal but never resolve, in: Art Monthly Australia 128, 2000, S. 5ff |
McQueen, Humphrey: Divining water Dreaming, in: Art Monthly Australia 134, 2000, S.8ff |
McQueen, Humphrey: Rates of exchange, in: Art Monthly Australia 128, 2000, S. 8ff |
McQueen, Humphrey: Suburban urbane (Lin Onus urban dingo), in: Art Monthly Australia 134, 2000, S.18ff |
Megaw, Vincent: Dot & Circle - Paradox & Politics, in: Art-Network 13, Spring 1984, S. 55-61, ISSN 01584022 |
Mining by Aborigines – Australia's first miners, in: Primefact 572 (2007) 1-4 |
Morphy, Howard: "The Methodist Church and the Yol?u, with particular reference to Yirrkala", Humanities Research (Bigotry and Religion in Australia, 1865-195) Vol XII, No 1, 2005, S. 27-40 |
Morrell, Timothy: An agent for change - Djambawa Marawili, in: Art Collector, 64, Apr-June 2013, S. 118-121 |
Morrell, Timothy: Deann Grant, in: Art Collector 62, Oct-Dec 2012, S. 106 |
Morrell, Timothy: Timothy Cook - As Rituals Fade from Memory, Art Collector 62, 2012, S.132-135 |
Mundine, Djon: "Adam Hill - Not a Proppa Aborigine", Art Monthly Australia 239, May 2011, S. 21-23, ISSN 1033-4025 |
Mundine, Djon: Aboriginal Art: An Art of Installation, in: Postwest 18, 2001, S.42-48 |
Mundine, Djon: Aboriginal art competitions and ethical dilemmas and mining companies, in: Artlink 29 (1), 2009, S. 73-75 |
Mundine, Djon: Adam Hill - Not a proppa Aborigine, in: Art Monthly Australia, 239, May 2011, S. 20-22 |
Mundine, Djon: David Malangi, in: Art & Australia 38 (2), 2000, S. 69 |
Mundine, Djon: Painters of the Wagilag Sisters Story, in: Periphery 33, 1997, S. 12-16, ISSN1034-0580 |
Mundine, Djon: Travelling from Utopia, Art Monthly 250, June 2012, S. 39-43 |
Murnane, Gerald: Sista brevet till en brorsdotter, in: Artes. Tidskrift för Litteratur, Konst och Musik 4, 2002, Arg. 28, Stockholm, ISSN 03450015 |
Murphy, Joy: The Lie of the Land, in: Artlink 17 (3), S. 8-9 |
Musharbash, Yasmine: Marriage, love magic, and adultery: Warlpiri relationships as seen by three generations of anthropologists, Oceania 80 (3), 2010, S. 272-288, ISSN 0029-8077 |
Myers, Fred: All around Australia and overseas: Christianity and Indigenous identities in Central Australia 1988, The Australian Journal of Anthropology 21, 2010, S. 110–128 |
Newman, Judith: Dreamings - The Art of Aboriginal Australia, in: Art & Australia 26 (4), 1989, S. 563-570 |
Nicholls, Christine: Bibliofile, in: Art Monthly Australia 133, 2000, S. 34ff |
Nicholls, Christine: Dorothy Napangardi, in: Art Monthly Australia 136, 2000, S. 8-11 |
Nicholls, Christine: God and Country: An Analysis of Works by Three Contemporary Indigenous Artists, Australian and New Zealand Journal of Art 4 (1) 2003, S. 41-60, ISSN 1443-4318 |
Nicholls, Christine: Reconciling Accounts. From Ethnokitsch to Fine Art, in: Australian Art Collector 13, 2000, S. 104-108 |
Nicholls, Christine: Shock of the Old: Yupinya Nampitjin, in: Australian Art Collector 15, 2001 |
Nicholls, Christine und North, Ian: GST blues in the Balgo Hills, in: Art Monthly Australia 133, 2000, S. 25ff |
Nowell, Liz: Tony Albert - Family Man, Art Monthly 256, 2013, S. 88-89 |
O'Hara, Marguerite; Jones, Jonathan; Peacock, Amanda: Art + Soul - a personal journey into the world of Aboriginal art - A Study Guide, 2010 |
O'Riordan, Maurice: Mission impossible: The poetic narratives of Michael Cook, in: Art + Australia 49 (4) 2012, S. 572-575 |
O'Riordan, Maurice: Soiled with multiple visions. Cross-cultural spiritual politics, in: Periphery 33, 1997, S. 3-5, ISSN1034-0580 |
Pattenden, Rod: Seeing the spiritual in Australian Art: The Blake Prize, in: Art Monthly Australia 246, Summer Issue 2011, S. 46-49 |
Perkins, Hetti und Fink, Hannah: Covering Ground. The corporeality of landscape, in: Art & Australia 38 (1), 2000, S. 75-83 |
Perkins, Hetti und Watson Ken: Papunya Tula: Genesis & Genius, in: Australian Art Collector 13, 2000, S. 60-63 |
Philp, Angela: "Displacement/replacement - Indigenous women's art from city to desert", Art Monthly Australia 249, 2012, S. 34-36, ISSN 1033-4025 |
Price, Bess Nungarrayi: I Have Seen Violence towards Women Every Day of My Life, Australian Feminist Law Journal 30, 2009, S.149-150, ISSN 1320-0968 |
Quaill, Avril: Queenie McKenzie, in: Art & Australia 36 (4), 1999, S. 493 |
Raffan, Jane: Burning Issues – Value and Contemporary Australian Aboriginal Art, Art Monthly 254, Oct. 2012, S. 34-37 |
Raja, Chris: Desert Mob - Roads for community, Art Monthly 256, 2013, S. 92-93 |
Ricky Maynard: Indomitable Spirit, in: Portrait35, March-May 2010, S. 18-21 |
Rolls, Mitchell: "Why didn't you listen: white noise and black history", Aboriginal History 34, 2010, S. 11-33, ISSN 0314-8769 |
Ryan, Judith: Abstraction, Meaning and Essence in Aboriginal Art, in: Art and Australia, 35 (1) 1997, S. 74-81 |
Ryan, Judith: George Tjungurrayi, Art & Australia 44 (4), 2007, S. 582-587 |
Scholes, Luke: Kiwirrkura women - The shifting shape of Western Desert painting, in: Art & Australia 46 (3), 2009, S. 498-505 |
Schwarz, Carolyn: Christianity, identity, power, and employment in an aboriginal settlement, Ethnology 45 (1), 2006, S. 71-86 |
Schwarz, Carolyn und Dussart, Francoise: Christianity in Aboriginal Australia revisited, The Australian Journal of Anthropology 21, 2010, S. 1-13 |
Silver, Anneke: Spinifex, Ochres and the Land, in: Periphery 33, 1997, S. 28-29, ISSN1034-0580 |
Sloan, Jane: An allure beyond story: the work of Dorothy Napangardi, Southerly 63 (2), 2003, S. 178-187, ISSN 0038-3732 |
Smith, Terry: Public Art between Cultures - The Aboriginal Memorial, Aboriginality, and Nationality in Australia, Critical Inquiry 27 (4), Summer 2001, S. 629-661 |
South Australian Museum (Hg.): The Big Canvas. Painting Cockatoo Creek Country, in: South Australian Museum, Adelaide, Outreach Education Service, o.J. |
Sprague, Quentin: Outside history - Mick Jawalji and Ngarra, in: Art Monthly Australia 244, October 2011, S. 80-81 |
Spunner, Suzanne: Two laws... One big spirit. Rusty Peters & Peter Adsett, in: Art Monthly Australia 135, 2000, S. 28ff |
Strocchi, Marina: Long Tom Tjapanangka, in: Art & Australia 44 (3), Autumn 2007, S. 357 |
Strocchi, Marina: Minyma Tjukurrpa: Kintore/Haasts Bluff Canvas Project. Dancing women to famous painters, in: Artlink 26 (4) 2005, 104-107 |
Sutton, Peter: Aboriginal spirituality in a new age, The Australian Journal of Anthropology 21, 2010, S. 71-89 |
Taylor, Luke: Contemporary Aboriginal art at the Australian National Gallery, in: Art & Australia 26 (4), 1989, S. 589-595 |
Travis, Lara: Tracey Moffatt, in: Art & Australia 37 (4), 2000, S. 548-555 |
Trigger, David S. und Asche, Wendy: Christianity, cultural change and the negotiation of rights in land and sea, The Australian Journal of Anthropology 21, 2010, S. 90-109 |
Watson, Christine: Re-embodying Sand Drawing and Re-evaluating the Status of the Camp: The Practice and Iconography of Women's Public Sand Drawing in Balgo, W.A., in: The Australian Journal of Anthropology 8 (1), 1997, S. 104ff |
White, Judith: Albert Namatjira: Wanderer No more, in: Australian Art Collector 13, 2000, S. 110-113 |
White, Judith: Wide Awake Dreaming, Interview with Hetti Perkins, in: Look (Art Gallery Society of New South Wales), April 2000, S. 14-19, ISSN 1442-4185 |