Viewing ofReference Material
Art students and others conducting research are welcome to make an appointment with us to view the works listed in the adjacent table.
It is also recommended for Europeans to use the online search system at KVK (Karlsruher Virtueller Katalog), in which all German and many European scholarly libraries list their available references. Sometimes the works are available for loan.
A list of further references about Australian art, which however are not yet in our reference collection, is also maintained and continually extended.
Literature in our Collection
(A-L)
AAMU Museum of contemporary Aboritinal art (Hg.): BOMB. Blak Douglas and Adam Geczy, Snoeck, Gent 2013, Ausst. Kat., ISBN 9789461610959
Table of Contents ¦ Cover Text ¦ Review⁄Abstract
Table of Contents
Georges Petitjean: BOMB - Blak Douglas and Adam Geczy -3-
Maurice O'Riordan: Force of clarity: detonating the BOMB -9-
Blak Douglas and Adam Geczy: Aboriginal Art Diagnostic -15-
Exhibition overview - BOMB in images -25-
Alisa Duff: An encouraging paradox: history, politics and collaboration for the AAMU -83-
Ian McLean: The secret history of performance art -89-
Cover Text
Under the auspieces of the festival celebrating the 300th anniversary of the Peace Treaty of Utrecht (1713), Blak Douglas and Adam Geczy mount a searching, confronting exhibition about the indifference of white Australia to a real and lasting treaty with the Indigenous people. Recurrent themes are excesses of nationalism and the profound inequalities between the Aboriginal population and the new occupiers of the land. BOMB is an activist spectacle that is caustic, radical and uncompromising, and where social engagement, performance and politics come together. BOMB is more than a confronting, visual arts exhibition. It is an integral whole, a multimedia happening, in which the visitor participates. This catalogue comprises exhibition installation shots and essays by Blak Douglas & Adam Geczy, Alisa Duff, Ian McLean, Maurice O'Riordan and Georges Petitjean.