Literature in our Collection
(A-L)

Altman, Jon und Luke Taylor (Hg.): Marketing Aboriginal Art in the 1990s, Aboriginal Studies Press, Canberra 1990, ISBN 0855752203

Table of Contents        ¦         Cover Text        ¦         Review⁄Abstract

Table of Contents

Contributors -vii-

Preface -ix-

Marketing in the 1990s

Stepehn Wild: Introduction -1-

Jon Altman: Sellinb Aboriginal Art -5-

Producing for the 1990s

Steven Anderson: Producing through art centres -19-

Bronwyn Bancroft: Producing quality art -23-

Wnhidari (Leanne Reid): Producing by independent artists -27-

Collecting and Exhibiting

Luke Taylor: The role of collecting institutions -31-

Vivien Johnson: Private collectors and the Aboriginal art market -37-

Vivien Anderson: Private galleries -43-

Maintaining Cultural Integrity

Djon Scott-Mundine: Cultural sustainability and the market -51-

Julie Finlayson: Tourist art versus fine art -55-

Aboriginal Art and Copyright

Libby Baulch: General copyright issues -67-

Colin Golvan: Aboriginal art and copyright infringement -73-

Christopher Anderson: the view of copyright from the bush -77-

Training and Management

Anna Eglitis: Artistic technique training at Cairns TAGE -83-

Pat D'Aranjo: The Maruku Arts and Crafts experience -93-

Christine Lennard: The Warlukurlangu Artists Experience -93-

David Wroth: Managing manufacturing at Desert Designs -97-

An Industry Strategy for the 1990s

Pat Turner: An Industry strategy -103-

Participants -109-

References -115-