Viewing ofReference Material
Art students and others conducting research are welcome to make an appointment with us to view the works listed in the adjacent table.
It is also recommended for Europeans to use the online search system at KVK (Karlsruher Virtueller Katalog), in which all German and many European scholarly libraries list their available references. Sometimes the works are available for loan.
A list of further references about Australian art, which however are not yet in our reference collection, is also maintained and continually extended.
Literature in our Collection
(A-L)
Eickelkamp, Ute: 'dont ask for stories ' The Women from Ernabella and their Art, Aboriginal Studies Press, Canberra 1999
Table of Contents ¦ Cover Text ¦ Review⁄Abstract
Table of Contents
How this project came into being -vii-
List of contributors -xi-
Compiler's note -xii-
Maps -xiii-
1. Living in the Bush
Someone Caring for Us -1-
Living in a Bush Hut -2-
2. White Man is Coming (Nura Rupert's story) -5-
3. About Mission Times
First Missionary Coming -17-
The Old Ernabella -19-
A Day in Mission Times -21-
'Putting the Stick Down' - Milpatjunanyi, a Great Storytelling Tradition -23-
We Had No Money but Good Work -25-
Things Have Changed -29-
4. The Story of Ernabella Arts
The Painted Story -31-
The History of the Craftroom -34-
Tjulkiwa's Father's Story of Aralya -52-
Our Design -56-
Learning the Design -58-
5. Our Lives as Artists
Angkaliya Purampi -65-
Margaret Dagg -69-
Marie Warren -73-
Makinti Minutjukur -74-
Lexie Ingkatji -77-
Nyukana Baker -79-
Alison Carroll -85-
Glossary of terms -87-
Cover Text
This collection of histories, in both written and illustrative form, from the women and men of Ernabella, in northern South Australia, tells the story of the interaction between white and black women that led to the establishment and development of a significant school of Australian art, Ernabella Arts Inc, which celebrates its 50th anniversary in 1988. From 'first missionary coming', through the terror of the nearby atomic bomb tests in the 1950s, to the commercial and artistic successes of the 1990s, the stories speak of great losses and regrets, but also of remarkable achievements, and of the skill and strength of the individuals whose voices we hear. At Ernabella Arts, all the artistic output is produced by women and this, one of the oldest centres of contemporary Aboriginal art in the country, is best known for its distinctive design and its use of new and innovative media, such as those used in textile art. The beautiful batiks produced at Ernabella have been exhibited around the world and the artists are sought after as teachers all over Australia, and internationally. These artists, when asked to explain their designs by those who are unaware of their non-representational nature, say 'don't ask for stories'. We are lucky, however, that they have chosen to record their stories in other ways, and in the process have given their readers a striking insight into their lives and work.