Literature in our Collection
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Pedrosa, Adriano und Guilherme Giufrida (Hg.): Indigenous Histories, Museu de Arte de Sao Paulo Assis Chateaubriand, Sao Paulo 2023, Ausst. Kat., ISBN 9786557770399

Table of Contents        ¦         Cover Text        ¦         Review⁄Abstract

Table of Contents

List of Artists -8-

Adriano Pedrosa: Indigenous Histories at MASP -14-

Petter Snare, Line Daatland: Indigenous Histories at Kode -16-

Nick Mithevich: National Gallery of Australia's Foreword -18-

Steven Loft, Michelie LaVallee: Ntional Gallery of Canada's Foreword -20-

Edson Kayapó, Kássia Borges Karajá, Renata Tupinambá: Indigenous Arts at MASP: Inclusion and Representation -22-

Edson Kayapó, Kássia Borges Karajá, Renata Tupinambá: Time not Time -25-

Irene Snarby, Susanne Haetta: Várves: Hidden from the Day -75-

Abraham Cruzvillegas: The Construction of the "Self" -101-

Bruce Johnson-McLean: Desert Painting Histories -145-

Sandra Gamarra: Pachakuti: The World Upside Down -179-

Indigenous Ways and Decolonization Curatorial Team, National Gallery of Canada: Nourishing Relations, Family, Community, and Land -235-

Nigel Borell: Rupturing Representation -267-

Edson Kayapó, Kássia Borges Karajá, Renata Tupinambá: Activism - 299-

Adriano Pedrosa: History, Historias -323-

Selected Bibliography -330-

Authors' Biographies -332-

Exhibitions, Video Room -334-

Public Programs -335-

Cover Text

Indigenos Histories brings together a wide cross-section of perspectives on the Indigenous histories of the American, Oceania, and Scandinavia through the lens of art and visual culture. This catalog accompanies a group exhibition of the same name, organized by the Museu de Arte de Sao Paulo Assis Chateaubriand (MASP) in partnership with the Kode Bergen Art Museum, curated by Indigenous artists and researchers and those of Indigenous ancestry, who explore their territories' own histories and highlight Indigenous activisms around the globe. Eight curatorial essays explore the works on display within the exhibition in their variety of media, typologies, and origins, from the time that preceded colonization to the present. Rather than attempting to produce a comprehensive guide, this selection of regional histories aims to foster dialogues between disparate Indigenous points of view, introducing relevant conversations in the context of their complexity. This is an essential book for anyone interested in Indigenous arts, histories and cultures around the world today.