Literature in our Collection
(M-Z)

The University of Melbourne, School of Art History, Cinema, Classics and Archaeology (Hg.): Contemporary Aboriginal Art, 2006 Subject Reader, Melbourne 2006

Table of Contents        ¦         Cover Text        ¦         Review⁄Abstract

Table of Contents

General Information

How the English language is used to put Koories down, deny us rights, or is employed as a political tool against us

English words and names used to hide secret activities and to downgrade our people

Taylor, Russel: About Aboriginality: questions for the uninitiated, in: Identity and Gender in Hunting and Gathering Societies, Seri Ethnological Studies 56, Ian Keen and Takako Yamada (Hg.), National Museum of Ethnology, Osaka 2001, S. 133-150

Langton, Marcia: Introduction: culture wars, in: Michele Grossman (Hg.): Blacklines: Contemporary Critical Writing by Indigenous Australians, Melbourne University Press, Melbourne 2003, S. 81-91

Yunupingu, Galarrwuy: The Black/White Conflict, in: Wally Caruana (Hg.): Windows on the dreaming: Aboriginal paintings in the Australian National Gallery, Ellsyd Press, Sydney 1989, Ausst. Kat., S. 13-17

Milpurrurru (Ganalbingu), George: Bark Painting. A Personal View, in: Wally Caruana (Hg.): Windows on the dreaming: Aboriginal paintings in the Australian National Gallery, Ellsyd Press, Sydney 1989, Ausst. Kat., S. 18-20

Morphy, Howard: Changing with the times: Categories of Art and the Composition of Paintings, in: Howard Morphy: Ancestral Connections: Art and an Aboriginal System of Knowledge, Univ. of Chicago Press, Chicago, London 1991, ISBN 0226538656, S. 181-213

Grau, Andrée: On the Acquisition of Knowledge: Teaching Kinship through the Body among the Tiwi of Northern Australia, in: V. Keck (Hg.): Common Worlds and Single Lives: Constituting Knowledge in Pacific Societies, Berg, Oxford 1998, S. 71-93