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Magazine Articles
in our collection
ABC Radio National: Black Art Gold Rush, 25 September 2005 |
Anderson, Chris: "Was god ever a 'boss' at Wujal Wujal? Lutherans and Kuku-Yalanji: A socio-historical analysis". In: The Australian Journal of Anthropology 21, 2010, S. 33-50 |
Anderson, Sallie: "Rejecting the Rainbos Serpent: An Aboriginal Artist's Choice of the Christian God as Creator", The Australian Journal of Anthropology 12 (3) 2001, S. 291-301 |
Araluen Arts Centre (ed.): Desert Mob 2019, Mparntwe (Alice Springs) 2019, exh. cat., ISSN 2652-1849 |
Araluen Arts Centre (ed.): Desert Mob 2021. Celebrating 30 years, Mparntwe (Alice Springs) 2021, exh. cat., ISSN 2652-1849 |
Artlink 31 (4), June 2011: Indigenous. Beauty and Terror, ISSN 0727-1239 |
Artlink 32 (2), June 2012: Indigenous. Indignation, ISSN 0727-1239 |
Artlink 37 (2) June 2017, Indigenous_Trans Cultural, ISSN 0727-1239 |
Artlink 39 (2) Juni 2019, Indigenous_Storrytelling in a Digital World, ISSN 0727-1239 |
Artlink 40 (2) 2020, Indigenous_Kin Constellations_languages water futures, ISSN 0717-1239 |
Artlink 41 (3) December 2021, Indigenous_Visualising Sovereignty, ISSN 0727-1239 |
Austin-Brees, Diane: "Translating Christianity: Some keywords, events and sites in Western Arrernte conversion". In: The Australian Journal of Anthropology 21, 2010, S. 14-32 |
Austin-Broos, Diane: "The Meaning Of Pepe: God's Law and The Western Arrernte", Journal of Religious History 27 (3) December 2003, S. 311-328 |
Austin-Broos, Diane: "Translating Christianity: Some keywords, events and sites in Western Arrernte conversion", The Australian Journal of Anthropology 21, 2010, S. 14-32 |
Austin-Broos, Diane: "Whose Ethics? Which Cultural Contract? Imagining Arrernte Traditions Today". In: Oceania 71 (3) 2001, S. 189-200 |
Austin-Broos, Diane J.: "'Two Laws', Ontologies, Histories: Ways of Being Aranda Today", The Australian Journal of Anthropology 7 (1) 1996, S. 1-20 |
Autry, Gene: "From the desert the profits come". In: Art Monthly Australia 108, April 1998, S. 18-19 |
Bähr, Elisabeth: "Political Iconography in Indigenous Art". In: Zeitschrift für Australienstudien 27, 2013, S. 49-66, ISSN 1617-9900 |
Bähr, Elisabeth: "Starke Frauen, starke Kunst". In: Frauensolidarität 2, 2002, Wien, S. 14-15 |
Behrendt, Larissa: "Ricky Maynard - Portrait of a Distant Land". In: Art Monthly Australia, 222 1999, S.12-14 |
Bevan, A.W.R. and P. Bindon: "Australian Aborigines and meteorites". In: Records of the Western Australian Museum 18, 1996, S.93-101 |
Biddle, Jennifer: "Art under Intervention: the radical ordinary of June Walkutjukurr Richards". In: Art Monthly 227, 2010, S. 35-36 |
Bonyhady, Tim: “Colour Separation,” The Australian’s Review of Books 13, June 1998, S. 12-13 and 31 |
Budden, Chris: "Exploring Contextual Theology in Australia in Dialogue with Indigenous People", International Journal of Public Theology 2 (2008) S. 292-312, DOI: 10.1163/156973208X316180 |
Budd, Jerry: Colonialism and Race Relations in Remote Inland Australia: Observations from the Field of Australian Indigenous Studies, ab-Original 2017 (1) 2, S. 214-243 |
Bull, Gordon: "A gentle, revelatory didacticism". In: Art Monthly Australia 105, Nov. 1997, ISSN 1033-4025, S. 19-21 |
Butler, Sally: "Start Now! A Guide to the Aboriginal Art Market". In: Australian Art Collector 13, 2000, S. 66-75 |
Carroll, Alison: "Australian Art Abroad, Doing it better". In: Artlink 32 (1) 2012, S. 80-81 |
Carty, John: "Purnu, Tjanpi, Canvas - Art History in the Ngaanyatjarra Lands". In: Art Monthly 256, 2013, S. 64-68 |
Cater, Melissa: "Struggling to be seen". In: Artlink 17 (4) 1996, S. 18-20 |
Chappell, Duncan and Kenneth Polk: "Fakers and Forgers, Deception and Dishonesty: An Exploration of the Murky World of Art Fraud". In: Institute of Criminology, The University of Sydney (ed.): Current Issues in Criminal Justice, Bd. 20, March 2009, ISSN 1034-5329, S. 393-412 |
Clarke, Philip A.: "The Aboriginal Cosmic Landscape of Southem South Australia". In: Records of the South Australian Museum 29 (2), 1997, S. 125-145 |
Clark, Ian D.: "The Convincing Ground - Aboriginal massacre at Portland Bay, Victoria: fact or fiction?". In: Aboriginal History 35, 2011, S.79-109 |
Congreve, Susan: "painting up big. Community painting at Yuendumu". In: Art and Australia 35 (1) 1997, S. 88-93 |
Cowlishaw, Gillian: "Mythologising culture: Part 1: Desiring Aboriginality in the suburbs". In: The Australian Journal of Anthropology 21, 2010, S. 208-227 |
Creighton, Chad: "Guirr Guirr: The contemporary continuum". In: Art + Australia 50 (3) 2013, S. 426-433 |
Creighton, Chad: "Gurirr Gurirr: The contemporary continuum". In: Art & Australia 50 (3) 2013, S. 427-433 |
Croft, Brenda: "Blak Lik Mi". In: Art and Australia 31 (1) 1993, S. 63-67 |
Croft, Brenda L.: "I am not sorry: Beyond Capricornia". In: Art Monthly Australia 154, October 2002, S. 5-9 |
Cunneen, Christ: "Criminology, Criminal Justice and Indigenous People: A Dysfunctional Relationship?". In: Institute of Criminology, The University of Sydney (ed.): Current Issues in Criminal Justice, Bd. 20, March 2009, ISSN 1034-5329, S. 323-336 |
Davenport, Carly: "Desert Mob". In: Craft Arts International 60, 2004, S. 72-73, ISSN 1038-846X |
De Lorenzo, Catherine: "Delayed Exposure. Contemporary Aboriginal Photography", Art and Australia 31 (1) 1993, S. 57-62 |
De Lorenzo, Catherine: "Somewhere: Manuwangku life with a Nuclear Waste Dump". In Artlink 32 (4) 2012, S. 60-62 |
Dewar, Mickey: "You in Your Small Corner". In: Humanities Research, Vol. XII, No 1, 2005, S.27-40 |
Dussart, Francoise: "Shown but not Shared, Presented but not Proffered: Redefining Ritual Identity among Warlpiri Ritual Performers, 1990-2000". In: The Australian Journal of Anthropology 15 (3) 2004, S. 253-256 |
Eccles, Jeremy: "Gunybi Ganambarr – Yolngu lightning". In: Art Monthly 256, 2013, S. 12-13 |
Eccles, Jeremy: "The End of Jirrawun". In: Art Monthly Australia 245, Nov 2011, S. 32-34 |
Finnane, Kieran: "'Their share of the struggle': innovation & experimentation in desert arts". In: Art Monthly Australia, 260, June 2013, S. 23-25 |
Foley, Fiona: "I Speak To Cover The Mouth of Silence". In: Art Monthly 250, June 2012, S. 55-57 |
Foley, Fiona: "On the Power & Beauty of Political Art". In: Art Monthly Australia 211, May 2008, S. 22-24 |
Foley, Fiona: "When The Circus Came To Town". In: Art Monthly Australia 245, Nov 2011, S. 5-7 |
Fourmile-Marrie, Henrietta: "Bushtucker. Some ffod for thought". In: Artlink 19 (4) 1999, S. 34-37 |
Fox, Karen: "Rosalie Kunoth-Monks and the making of Jedda". In: Aboriginal History 33, 2009, S. 77-95 |
Geczy, Adam: "Contemporary Australian Photography in Berlin. (Zeitgenössische Fotokunst aus Australian) Neuer Berliner Kunstverein (NKB)". In: Art Monthly Australia 134, October 2000, S. 23-25 |
Geczy, Adam: "Outsider/Insider: The Art of Gordon Bennett". In: Art Monthly Australia 260, June 2013, S. 26-28 |
Geczy, Adam: "The Airconditioned Desert - Curating Aboriginal Art". In: Art Monthly 250, June 2012, S.44-46 |
Gibson, Lorraine: "Art, Culture and Ambiguity in Wilcannia, New South Wales", The Australian Journal of Anthropology 19 (3) 2008, S. 294-313 |
Gibson, Lorraine: "Making art and making culture in far western New South Wales". In: Australian Aboriginal Studies 1, 2008, S. 67-77 |
Gigler, Elisabeth: "Indigenous Australian Art Photography: an Intercultural Approach". In: Zeitschrift für Australienstudien 21-22, 2007/2008, S. 57-64, ISSN 1617-990 |
Gnocchio, Benjamin: "Shifting Sands - The Art of Fiona Foley". In: Eyeline Contemporary Visual Arts 41, Summer 1999, S. 18-23 |
Graham, Lloyd D.: The creation of Wilkinkarra (Lake Mackay) in Pintupi/Kukatja Dreamings, Australian Aboriginal Studies 2003, 1, S. 30-38, ISSN 0729-4352 |
Green, Denise: "Painting post-Greenberg". In: Art Monthly Australia 87, March 1996, S. 20-23 |
Green, Jennifer: "The Altyerre Story - 'Suffering Badly by Translation'". In: The Australian Journal of Anthropology 23, 2012, S.158-178, doi: 10.1111/j.1757-6547.2012.00179.x |
Grishin, Sasha: "Finding Water, Finding Life - Travels throuth the sand dunes and soak holes of Helicopter Tjungurrayi's sweeping canvasas". In: Art Collector 61, July-Sept 2012, S.130-135 |
Harford, Sonia: "Post Colognialism", World Art 1, 1997, S. 18-19 |
Harkins-Cross, Rebecca: Wer ist hier der Störenfried? In: Art - Das Kunstmagazin 6, 2022, S. 36-47, ISSN 0173-2781 |
Healy, Jacqueline: "Motika' Dreaming". In: Art Monthly Australia 233, Sept 2010, S. 32-35 |
Hinkson, Melinda: "New Media Projects at Yuendumu: inter-cultural engagement and self-determination in an era of accelerated globalization". In: Journal of Media and Cultural Studies 16 (2) 2002, S. 201-220, ISSN 1030-4312, DOI 10.1080/1030431022013876 9 |
Hinkson, Melinda: "What's in a dedication? On being a Warlpiri DJ". In: The Australian Journal of Anthropology 15 (2), 2004, S.143-162, ISSN 1035-8811 |
Hoffie, Pat: "Fiona Foley. Knowing where to look". In: Artlink 21 (4), S. 60-65 |
Holleuffer, Henriette von: Erzählte Welt. Indigenous Australian Art. Narrated Wold, Rezension in: Art Aurea 53, Herbst 2023, S. 44-53, ISSN 4191814-012009 |
Ingram, Terry: "Full Circle. Aboriginal Art turns market corner". In: Australian Art Collector 13, 2000, S. 82-83 |
Ingram, Terry: "Obsessions with rarities". In: Art & Australia 36 (2) 1998, S. 251 |
Isaacs, Jennifer: "Bush Gardens", Art and Australia 35 (4) 1998, S. 511-517 |
Isaacs Jennifer: "International exposure of Aboriginal art 1970–2001". In: Art & Australia 39 (4) 2002, S. 548–557 |
Isaacs, Jennifer: "Ngaraka-shrine for the lost Koori". In: Art Monthly Australia 135, 2000, S. 25-26 |
Izett, Erica: "Eubena Nampitjin, c. 1923-2013". In: Art Monthly Australia 262, August 2013, S. 48-49, ISSN 1033-4025 |
Izett, Erica: "Sitting Down with Indigenous Artists". In: Artlink 25 (2) 2005, S. 26-29 |
Jenkins, Susan: "No Ordinary Place: The Art of David Malangi". In: Craft Arts International 62, 2004, S. 100-101, ISSN 1038-846X |
Johnson, Vivien: "Is there a gender issue in Aboriginal art?". In: Art and Australia 32 (3), 1995, S. 350-357 |
Jorgensen, Darren: "Bagging Aboriginal Art". In: arena 111, 2011, S. 38-42, ISSN 1039-1010 |
Jorgensen, Darren: "On Cross-Cultural Interpretations of Aboriginal Art". In: Journal of Intercultural Studies 29 (4), 2008, S. 413-426 |
Judith Ryan in conversation with Brook Andrew, NGV Magazin 3, 2017, S. 54-57 |
Kalina, Richard: "The Dream of Aboriginal Art". In: Art in America, April 2007, S. 96-103 |
Kavanagh, John: "The Long Boom. But How Long Can it Last?". In: Australian Art Collector 4, 2000, S. 56-58 |
Keary, Anne: "Christianity, colonialism, and cross-cultural translation: Lancelot Threlkeld, Biraban and the Awakabal". In: Aboriginal History 33, 2009, S.117-155, ISSN 0314-8769 |
Kelada, Odette and Madeleine Clark: "Bodies on the Line. Repossession and 'Talkin' up' in Aboriginal women's art". In: Artlink 33 (3) 2013, S. 37-41 |
Kerr, Joan: "Papunya Tula. A great contemporary art movement". In: Art Asiapacific 31, 2001, S. 31-33 |
Kidd, Courtney: "Promoting contemporary Indigenous art. NATSIAA: The top End's thriving art award". In: Art & Australia 39 (1) 2001, S. 60-63 |
Kidd, Courtney: "Utopia Art Sydney. Representing leading contemporary Australian artists". In: Art & Australia 4, 2002, S. 598-599 |
Kimber, Dick: "M. N. Tjapaltjarri". In: Art & Australia 36 (3) 1999, S. 397 |
King, Victoria: "Utopia now. A journey to Emily's country". In: Art & Australia 37 (4) 2000, S. 524-525 |
Kleinert, Sylvia: "Aboriginal enterprises - negotiating an urban aboriginality". In: Aboriginal History 34, 2010, S.171-196, ISSN 0314-8769 |
Koop, Stuart: "Fiona Foley. Bare Bones". In: Art Asia Pacific, 1997, S. 38-44 |
Kozeluh, Narayan: "Custodians of the Land". In: Craft Arts International, 53, 2003, S. 46-49, ISSN 1038-846X |
Lane, Marcus B., Helen Ross, A.P. Dale and Roy E. Rickson: "Sacred land, mineral wealth, and biodiversity at Coronation Hill, Northern Australia: indigenous knowledge and SIA". In: Impact Assessment and Project Appraisal 21 (2), EPSCO Publishing 2003, S. 89-98 |
Laseur, Carol: "BeDevil: Colonial Images, Aboriginal Memories". In: Span (Journal of the South Pacific Assoc for Cwlth Lit and Language Studies) 37, 1993, ISSN 1031-0606 |
Laurie, Victoria: "Not just the usual suspects". In: The Australian, October 31, 2008 |
Lendon, Nigel: "Cross-examining Aboriginal art". In: Art Monthly Australia 108, April 1998, S. 16-17 |
Losche, Diane: "Shrines and statements". In: Art Asiapacific 30, 2001, S. 25-27 |
Magowan, Fiona: "Syncretism or Sychronicity? Remapping the Yolngu Feel of Place". In: The Australian Journal of Anthropology 12 (3) 2001, S. 275-290 |
Massola, Cate: "Jarragbu-nungu Warrambany. Flood in Warmun". In: Artlink 32 (4) 2012, S. 21-22 |
Massola, Cate: "Jarragbu-nungu Warrambany. Flood in Warmun". In: Artlink 32 (4) 2012, S. 21-22 |
Mateer, John: Naturalisation: Recent Australian art and the natural". In: Art Monthly Australia 146, December 2001-February 2002, S. 4-7 |
Maynard, Ricky: "Indomitable Spirit". In: Portrait35, March-May 2010, S. 18-21 |
McCulloch, Alan: "The Aboriginal Art Exhibition", Meanjin No. 85, vol. xx, no. 1, 1961, S. 191-193 |
McDonald, Heather: "Universalising the particular? God and Indigenous spirit beings in East Kimberley". In: The Australian Journal of Anthropology 21, 2010, S. 51-70 |
McDonald, Michelle: "The problem of criticism: Emily Kame Kngwarreye". In: Art Monthly Australia 108, April 1998, S. 20-21 |
McIntosh, Ian: "Anthropology, Self-determination and Aboriginal Belief in the Christian God", Oceania 67 (4) 1997, S. 273-288 |
McLean, Bruce: "Sally Gabori's mind-mapped landscapes". In: Art + Australia 49 (3) 2012, S. 478-485 |
McLean, Ian: "9 shots 5 stories - Imants Tillers and Indigenous difference". In: Art Monthly Australia 228, 2010, S.13-16 |
McLean, Ian: "Home and away: H2O at the Lawrence Wilson Gallery". In: Art Monthly Australia 128, 2000, S. 13-15 |
McLean, Ian: "saltwaterfreshwater". In: Artlink 27 (2) 2007 |
McPhee, John: "Sally Gabori - Feeling the Landscape". In: Art Monthly 249, May 2012, S. 5-9 |
McQueen, Humphrey: "Art can reveal but never resolve". In: Art Monthly Australia 128, 2000, S. 5-7 |
McQueen, Humphrey: "Divining water Dreaming". In: Art Monthly Australia 134, 2000, S.8-10 |
Miller, Carie: "Is it time we stopped talking about Aboriginal Art?". In: Art Collector 57, Jul-Sep 2011, S.104-105 |
Moreton-Robinson, Aileen: "The possessive logic of patriarchal white sovereignty: The High Court and the Yorty Yorta decision". In: Boderlands ejournal 2 (2) 2004 |
Morphy, Howard: "Mutual Conversation? The Methodist Church and the Yolngu, with Particular Reference to Yirrkala", Humanities Research XII (1) 2005, S. 41-53 |
Morphy, Howard: "Seeing Aboriginal Art in the Gallery", Humanities Research 8 (1) 2001, S. 37-50 |
Morphy, Howard: "The Methodist Church and the Yol?u, with particular reference to Yirrkala". In: Humanities Research (Bigotry and Religion in Australia, 1865-195) Vol XII, No 1, 2005, S. 27-40 |
Morrell, Timothy: "An agent for change - Djambawa Marawili". In: Art Collector, 64, Apr-June 2013, S. 118-121 |
Morrell, Timothy: "Nyapanyapa Yunipingu: Painting With Light". In: Art Collector 58, Oct-Dec 2011, S. 136-143 |
Morrell, Timothy: "Timothy Cook - As Rituals Fade from Memory". In: Art Collector 62, 2012, S.132-135 |
Mountford, Charles P.: "An Anyamatana legend of the Pleiades". In: The Victorian Naturalist, Band LVI (6), No. 670, Oct. 1939, S. 103-104 |
Mundine, Djon: "Aboriginal Art: An Art of Installation". In: Postwest 18, 2001, S.42-48, ISSN 1323-1499 |
Mundine, Djon: "Absence of presence on Action peninsula". In: Art Monthly Australia 139, May 2001, S. 21-22 |
Mundine, Djon: "Adam Hill - Not a Proppa Aborigine". In: Art Monthly Australia 239, May 2011, S. 21-23, ISSN 1033-4025 |
Mundine, Djon: "Between two worlds". In: Art Monthly Australia 150, June 2002, S. 25-26 |
Mundine, Djon: "Travelling from Utopia". In: Art Monthly 250, June 2012, S. 39-43 |
Murphy, Joy: "The Lie of the Land". In: Artlink 17 (3) 1997, S. 8-9 |
Musharbash, Yasmine: "Marriage, love magic, and adultery: Warlpiri relationships as seen by three generations of anthropologists". In: Oceania 80 (3) 2010, S. 272-288, ISSN 0029-8077 |
Myers, Fred: "All around Australia and overseas: Christianity and Indigenous identities in Central Australia 1988". In: The Australian Journal of Anthropology 21, 2010, S. 110–128 |
Newstead, Adrian: "Cowboy". In: Art & Australia 36 (3) 1999, S. 395-397 |
Nicholls, Christine: "Digital Indigeneity", Realtime 52, 2002 |
Nicholls, Christine: "Digital strategies", Realtime 51, 2002 |
Nicholls, Christine: "God and Country: An Analysis of Works by Three Contemporary Indigenous Artists". In: Australian and New Zealand Journal of Art 4 (1) 2003, S. 41-60, ISSN 1443-4318 |
Nicholls, Christine: "Home and away with Kathleen and Violet Petyarre, or, Travels with my aunts". In: Art Monthly Australia 138, April 2001, S. 16-19 |
Nicholls, Christine: "Reconciling Accounts. From Ethnokitsch to Fine Art". In: Australian Art Collector 13, 2000, S. 104-108 |
Nicholls, Christine and Ian North: "GST blues in the Balgo Hills". In: Art Monthly Australia 133, 2000, S. 25ff |
Nowell, Liz: "Tony Albert - Family Man". In: Art Monthly 256, 2013, S. 88-89 |
NSW Department of Primary Industries (ed.): "Mining by Aborigines – Australia's first miners". In: Primefact 572, 2007, S. 1-4, ISSN 1832-6668 |
Oguamanam, Chidi: "Localizing Intellectual Property in the Globalization Epoch: The Integration of Indigenous Knowledge". In: Indiana Journal of Global Legal Studies 11 (2) Summer 2004, S. 135-169, ISSN 1080-0727 |
Oguibe, Olu: "Medium and Memory in the art of Fiona Foley". In: Third Text 33 (9) 1995, S. 51-60 |
O'Riordan, Maurice: "Mission impossible: The poetic narratives of Michael Cook". In: Art + Australia 49 (4) 2012, S. 572-575 |
O'Riordan, Maurice: "Warlayirti Artists". In: Art Collector 60, Apr-June 2012, S. 164-167 |
Pattenden, Rod: "Seeing the spiritual in Australian Art: The Blake Prize". In: Art Monthly Australia 246, Summer Issue 2011, S. 46-49 |
Perkins, Hetti and Hannah Fink: "Covering Ground. The corporeality of landscape". In: Art & Australia 38 (1) 2000, S. 75-83 |
Perkins, Hetti and Watson Ken: "Papunya Tula: Genesis & Genius". In: Australian Art Collector 13, 2000, S. 60-63 |
Philp, Angela: "Displacement/replacement - Indigenous women's art from city to desert". In: Art Monthly Australia 249, 2012, S. 34-36, ISSN 1033-4025 |
Raffan, Jane: "Burning Issues – Value and Contemporary Australian Aboriginal Art". In: Art Monthly 254, Oct. 2012, S. 34-37 |
Richardson, Donald: "The Problem of Aboriginal Art ". In: Quadrant Vol. LII, no 10, 1 October 2008 |
Riphagen, Marianne: "Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the 'making of' Aboriginality". In: Australian Aboriginal Studies 1, 2008, S. 78-89 |
Rolls, Mitchell: "The Black Path To Jesus: The Christian Approprition of Aboriginal Culture". In: Azstralian Studies 13 (2) Winter 1998, S. 23-40 |
Rolls, Mitchell: "Why didn't you listen: white noise and black history", Aboriginal History 34, 2010, S. 11-33, ISSN 0314-8769 |
Ryan, Judith: "George Tjungurrayi". In: Art & Australia 44 (4), 2007, S. 582-587 |
Scholes, Luke: "Kiwirrkura women - The shifting shape of Western Desert painting". In: Art & Australia 46 (3), 2009, S. 498-505 |
Schulz, Dennis: "Lines from the Dreamtime". In: The Australian Way, May 1994, S. 54-59 |
Schwarz, Carolyn: "Carrying the Cross, Caring for Kin: The Everyday Life of Charismatic Christianity in Remote Aboriginal Australia", Oceania 80 (1) 2010, S. 58-77 |
Schwarz, Carolyn: "Christianity, identity, power, and employment in an aboriginal settlement". In: Ethnology. An International Journal of Cultural and Social Anthropology 45 (1) 2006, S. 71-86, ISSN 0014-1828 |
Schwarz, Carolyn and Francoise Dussart: "Christianity in Aboriginal Australia revisited". In: The Australian Journal of Anthropology 21, 2010, S. 1-13 |
Sloan, Jane: "An allure beyond story: the work of Dorothy Napangardi". In: Southerly 63 (2), 2003, S. 178-186, ISSN 0038-3732 |
Smith, Bernard: "The unknown art of Australia". In. UNESCO Courier, December 1988, S. 23-26 |
Smith, Pam: "Frontier conflict: Ways of remembering contested landscapes", Journal of Australian Studies 31 (91) 2007, S. 9-23 |
Smith, Terry: "Public Art between Cultures - The Aboriginal Memorial, Aboriginality, and Nationality in Australia". In: Critical Inquiry 27 (4), Summer 2001, S. 629-661 |
Sprague, Quentin: "Outside history - Mick Jawalji and Ngarra". In: Art Monthly Australia 244, October 2011, S. 80-81 |
Strocchi, Marina: "Minyma Tjukurrpa: Kintore/Haasts Bluff Canvas Project. Dancing women to famous painters". In: Artlink 26 (4) 2005, S. 104-107 |
Sutton, Peter:"Aboriginal spirituality in a new age". In: The Australian Journal of Anthropology 21, 2010, S. 71-89 |
Tamisari, Franca: "When is Aboriginal Aboriginal too much? (Not a Hump But a Historical Speed Bump)". In: Hecate 30 (1) 2005, S. 96-99, ISSN 1033-9434 |
Throsby, David: "But is it art?". In: Art Monthly Australia 105, Nov. 1997, ISSN 1033-4025, S. 32 |
Toohey, Paul: "Last Drinks. The Impact of the Northern Territory Intervention" and "Correspondence", Quarterly Essay 30, 2008, S. 1-141, ISSN 1832-0953 |
Trigger, David S. and Wendy Asche: "Christianity, cultural change and the negotiation of rights in land and sea". In: The Australian Journal of Anthropology 21, 2010, S. 90-109 |
Watson, Christine: "Re-embodying Sand Drawing and Re-evaluating the Status of the Camp: The Practice and Iconography of Women's Public Sand Drawing in Balgo, W.A.". In: The Australian Journal of Anthropology 8 (1) 1997, S. 104-124 |
Wearne, Ben, Janice Chesters and Sue Whyte: "Lungmarama Yolngu nha: (1) a week in the life of an outreach program". In: Australian Aboriginal Studies 2, 2005, S. 16-26 |
White, Judith: "Wide Awake Dreaming, Interview with Hetti Perkins". In: Look (Art Gallery Society of New South Wales), April 2000, S. 14-19, ISSN 1442-4185 |
White, Sara: "Papunja Tjupi Arts". In: Art Collector 64, Apr-June 2012, S. 168-169 |
Wright, Felicity and Djon Mundine: "Passion, Rich Collectors and the Export Dollar. The selling of Aboriginal art overseas". In: Artlink 18 (4) 1998, S. 16-22 |