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Art Gallery of New South Wales (Hg.): Daniel Boyd. Treasure Island, Sydney 2022, Ausst. Kat., ISBN 9781741741599
Inhaltsverzeichnis ¦ Klappentext ¦ Besprechung⁄Abstract
Inhaltsverzeichnis
Foreword -8-
Isobel Parker Philip und Erin Vink: Introduction -10-
Daniel Browning: Beautiful subterfuge: a personal reckoning with the art of Daniel Boyd -16-
Erin Vink: The recontextualisation of things -22-
Isobel Parker Philip: Drawing with and into darkness -32-
Jazz Money: Trade winds -63-
Nathan 'Mudyi' Sentance: Dismantling the colonial gaze -79-
Ellen van Neerven: Taste is cruel -93-
Léuli Eshraghi: Bambae ol stamba fasin blong lukaotem mo kasem ol wanwan sead blong solwora i no save lusum -111-
Light Work -124-
Daniel Boyd: Balbay and Yamani recalcitrant radiance -143-
Michael Mossman: Vulnerability in collaboration: 'For our Country' -173-
Daniel Boyd, Djon Mundine and Asad Raza in conversation: Unbroken links -188-
From the artist's studio: Gauwullbunngil charrabumm (Fartheast island) -193-
List of Daniel Boyd works -225-
Image captions and credits -229-
Notes -230-
Contributors -233-
Akcnowlegements -235-
Klappentext
Daniel Boyd: Treasure Island traces this acclaimed artist's practice from 2005 to today. Holding a lens to colonial history. Daniel Boyd grapples with the way the past inflects the present and the present inflects the past. Informed by his Aboriginal and ni-Vanuatu heritage, Boyd regifues archival imagery, art historical references and his own family photographs. Through his idiosyncratic painting technique, he interrogates the brutal legacies of colonisation and creates moving tributes to family and the power of cultural survival, forcing viewers to contend with hidden and overlooked histories. Richly illustrated and with new writing by curators and First Nations authors, this book is also a response to the current moment where critical dialogues on ideas of community, connectivity and cultural repratriation carry particular urgency.