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Literatur in unserem Bestand
(A-L)
Kranenbarg, Mayke: Painting Authenticity. Aboriginal art and knowledge in an intercultural space (Warmun, Western Australia), M.A. Thesis, University of Nijmegen, 2004
Inhaltsverzeichnis ¦ Klappentext ¦ Besprechung⁄Abstract
Inhaltsverzeichnis
Acknowledgements -6-
Introduction -7-
Research questions and ethnographical approach -7-
Research setting -9-
Methodology -11-
Limitations of fieldwork -12-
Structure of the thesis -13-
Chapter One. Aboriginal art in cities -15-
Placing contemporary Aboriginal art -16-
Displaying Aboriginal paintings as 'art' -17-
The exhibition 'Our True Stories' -19-
The name of the exhibition -20-
The display of the paintings -21-
The exhibition's opening -22-
The symposium 'Our True Stories -24-
Different cultural realms -24-
Interpretations of Gija art -25-
The spiritual and the political -28-
Transcending contexts -29-
Concluding note -30-
Chapter Two. Painting country in Warmun -31-
The rise of a painting movement -32-
The birth of a painting -33-
Claiming authenticity -36-
The Dreaming: space-time, Law, identification -37-
Storing knowledge in paintings -39-
Converting country to canvas -41-
All true stories -42-
Painting as portal to the Dreaming -43-
Painting ancestral power - the story of the Butterfly -44-
Recent manifestations of the Dreaming and the partaking of whites in it -44-
Concluding note -48-
Chapter Three. Teaching authenticity through art -49-
Warmun versus Kununurra -50-
Local knowledge in change -52-
Continuing indigenous education -53-
A lesson in painting -54-
Apprenticeship: the novice and the mentor -57-
Expanding one's knowledge -58-
Shaping country -61-
'Holding country', the reproduction of social persons -64-
Concluding note -65-
Chapter Four. Aboriginal art in a global landscape -67-
Transcending boundaries -69-
Managing Warmun Art Centre -72-
Personal motives of art coordinators -73-
The holistic nature of art centres -76-
Making the art centre remunerative -77-
Producing cultural value and 'authenticity' -79-
The practice of documentation -81-
The girl and the photo camera -83-
Visitors of Warmun Art Centre - the search of spirituality -85-
Challenging western minds -88-
Concluding note -89-
Conclusion -91-