Literatur in unserem Bestand
(A-L)

Lentini, Damian (Hg.): Karrabing Film Collective. Wonderland. A Reader, Distanz Verlag, Berlin 2023, Ausst. Kat., ISBN 9783954765546

Inhaltsverzeichnis        ¦         Klappentext        ¦         Besprechung⁄Abstract

Inhaltsverzeichnis

Andrea Lissoni: Foreword -8-

Photographic Impressions of Karrabing's Wonderland -17-

Artworks -56-

Damien Lentini: 'A Schoolhouse Made out of Film': The Karrabing Film Collective -82-

Elizabeth A. Povinelli: The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism -96-

Vivian Ziherl: Karrabing Film Collective: Seizing the Means of Interpretation -108-

Kirsty Howey: Porous Jurisdictions: Sacrifice Zones and Environmental Law in the Northern Territory of Australia -120-

Richard Bell: Bell's Theorem: Aboriginal Art - It's a White Thing! -130-

Paola Balla: Across Australia, Artists are Disrupting the Colonial Mindset -148-

Growing up Karrabing: A conversation with Gavin Bianamu, Sheree Bianamu, Natasha Lewis Bigfoot, Ethan Jorrock, and Elizabeth Povinelli, Karrabing Film Collective -156-

Tess Lea and Elizabeth A. Povinelli: Karrabing: An Essay in Keywords -162-

May Adadol Ingawanij: Comedy of Entanglement: Karrabing Film Collective -172-

Elizabeth A. Povinelli and Rex Edmunds: A Conversation at Bamayak and Mabaluk, Part of the Coastal Lands of the Emmiyengal People -184-

Matariki Williams: Karrabing Film Collective Tackles the Cultural and Environmental Devastation of Settler Colonialism -192-

Biographies -200-

Selected Bibliography -208-

Colophon Exhibition -213-

Colophon Catalogue -216-

Klappentext

This Reader is published on the occasion of Karrabing Film Collective's exhibition at Haus der Kunst München. Currently numbering about thirty members, the Collective see their creative practice as a possible form of self-organization and grassroots resistance, in which artistic languages developed at a local level let the audience understand new forms of collective indigenous agency. In a similarly manner, this Reader eschews the usual singular authoritative tone and instead provides a myriad of voices and entrypoints to Karrabing's unique social, cultural, and historical oeuvre. Comprising a variety of texts, interviews and polemics, the publication explores what can be learnt about today's society from Karrabing's unique filmic and methodological language.